Tell us
a bit about this series, this is not an adaptation of the Cartoon
Network material but original stories told in that style and setting...correct?
That’s
correct! The series is not an adaptation. Instead, it’s a
collection of self-contained short stories, all featuring characters
from the cartoons and using the same basic art style. It will also
have the kinetic energy of the cartoons.
Will
we see some new characters in this series that we haven’t seen
before?
Yes,
in the form of enemies, but most of the heroes will be established
characters who also appear in the cartoons. The first issue features
stories with Obi-Wan, Anakin, Saesee Tiin, Mace Windu, and Kit Fisto.
The
word on the street is that we won’t really see very much of
the Clone Wars in Episode III, how does it feel to be able to help
fill in the blanks for such a critical part of the Star Wars mythos?
It’s
incredibly exciting, but also a little daunting. I get to elaborate
on an event that has received more speculation than nearly any other
in the Star Wars continuity. Hopefully, we’re building off of
what’s been established in Episode II and giving fans insight
into the ways in which the war is fought all across the galaxy.
How
much freedom are you allowed in shaping the direction of the story?
Is there a firm guideline for story direction or “off limits”
areas Lucasfilm wants untouched?
So
far, I’ve had a ton of freedom. We worked closely with Lucasfilm
early on to establish what would be off-limits, but there are really
very few things we’re not allowed to touch. Beyond that, I’ve
been really happy with the latitude I’ve been given. For the
series based on the cartoons, I’ve basically had free reign.
Are
there any characters in this era of the Star Wars timeline that you
particularly enjoy writing for?
I
really like the character Alpha, one of the clones who has been trained
by Jango himself. I also like Ventress, because villains get be so
much nastier than the Jedi.
This
format of this series really sets it apart (96 page digest size) and
makes for a unique presentation, does format affect your approach
to your scripting the visuals?
Definitely.
I’m able to provide more “reveals” per issue, which
allows for a lot of plot twists. I also think that, with 96 pages
to work with, I’m much more willing to devote an entire page
to a single splash image or dramatic establishing shots.